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book (16)


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2003 (16)

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Écrivains de Saint-Petersbourg : Voltaire, Pouchkine, Diderot, Gogol, Dumas, Custine, Dostoïevski, Blok, Biely, Cendrars, Krivouline, Brodsky
Year: 2003 Publisher: Paris: Magazine littéraire,

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Signs and cities : Black literary postmodernism
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Year: 2003 Publisher: Chicago, Ill. University of Chicago Press

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How to Live / what to Do : H.D.'s cultural poetics.
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ISBN: 0252027965 9780252075919 Year: 2003 Publisher: Urbana University of Illinois press

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William Faulkner's Absalom, Absalom! A casebook
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ISBN: 0195154789 Year: 2003 Publisher: Oxford Oxford university press

Charles Dickens.
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ISBN: 0192840487 Year: 2003 Publisher: Oxford Oxford university press

After-images of the city
Authors: ---
ISBN: 0801440211 0801487897 9780801440212 9780801487897 Year: 2003 Publisher: Ithaca Cornell University Press

Signs and cities : Black literary postmodernism
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ISBN: 1281125504 9786611125509 0226167283 9780226167282 9780226167268 0226167267 9780226167275 0226167275 9781281125507 Year: 2003 Publisher: Chicago : University of Chicago Press,

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Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970's, marked by acute disenchantment with the promises of urban modernity and of print literacy. Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor, Ishmael Reed, Sapphire, and John Edgar Wideman probe the disillusionment of urban modernity through repeated recourse to tropes of the book and scenes of reading and writing. Ultimately, she demonstrates that these writers view the book with profound ambivalence, construing it as an urban medium that cannot recapture the face-to-face communities assumed by oral and folk forms of expression.

The aesthetics and politics of the crowd in American literature
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ISBN: 1107133866 1280161337 0511120648 1139148206 0511064977 0511058640 0511305818 0511485492 0511073437 9780511064975 9780511073434 9780511120640 9780521814881 052181488X 9780511485497 9781280161339 9786610161331 661016133X 9780521035903 0521035902 9781107133860 9781139148207 9780511058646 9780511305818 Year: 2003 Publisher: Cambridge : Cambridge University Press,

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Mary Esteve provides a study of crowd representations in American literature from the antebellum era to the early twentieth century. As a central icon of political and cultural democracy, the crowd occupies a prominent place in the American literary and cultural landscape. Esteve examines a range of writing by Poe, Hawthorne, Lydia Maria Child, Du Bois, James, and Stephen Crane among others. These writers, she argues, distinguish between the aesthetics of immersion in a crowd and the mode of collectivity demanded of political-liberal subjects. In their representations of everyday crowds, ranging from streams of urban pedestrians to swarms of train travellers, from upper-class parties to lower-class revivalist meetings, such authors seize on the political problems facing a mass liberal democracy - problems such as the stipulations of citizenship, nation formation, mass immigration and the emergence of mass media. Esteve examines both the aesthetic and political meanings of such urban crowd scenes.

Settler feminism and race making in Canada
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ISBN: 1442679816 1282023128 9786612023125 9781442679818 9781282023123 0802037038 9780802037039 Year: 2003 Publisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press,

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"Settler Feminism and Race Making in Canada engages in a discursive analysis of three 'texts' - the narratives of Anna Jameson (Winter Studies and Summer Rambles in Canada). Theresa Gowanlock and Theresa Delaney (Two Months in the Camp of Big Bear), and the 'Janey Canuck' books of Emily Murphy - in order to examine how, in the context of a settler colony, white women have been part of the project of its governance, its racial constitution, and its role in British imperialism. Using Foucauldian theories of governmentality to connect these first-person narratives to wider strategies of race making, Jennifer Henderson develops a feminist critique of the ostensible freedom that Anglo-Protestant women found within nineteenth-century liberal projects of rule."--Jacket.

Unsettling the literary West : authenticity and authorship
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ISBN: 1280465816 9786610465811 0803203454 9780803203457 0803229380 9780803229389 9781280465819 6610465819 Year: 2003 Publisher: Lincoln : Baltimore, Md. : University of Nebraska Press, Project MUSE,

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The test of western literature has invariably been Is it real? Is it accurate? Authentic? The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts-and thus of the very nature-of western writing. Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region's writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures-but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition.

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